Studio Acrylics High Viscosity is adapted for working on canvas, cardboard, wood and metal. It's thick consistancy retains the brush and spatula marks and it is used pure with acrylic mediums or the studio auxiliaries with further broaded the canvas possibitities. These are water-soluble colours with a satin finish and high lightfastness. Keep away from dust, dries in 30 - 60 minutes and completely dry in 1-8 days depending on the thickness. It is permanent after drying and the film is strong and flexible to deformation.
Studio XL colours are intense and permanent, with great resistance to thermal and photo-oxidation. Viscosity is constant from one colour to another and the pigments are chosen to provide similar colours to the extra fine oils, while providing excellent value for money. Can be used with all oil painting mediums and diluted with mineral spirits. For application on all traditional oil painting surfaces, such as canvas, card and wood. Dries to the touch in 3-6 days.
La gamme d'huile fine Studio XL de Pébéo propose un large choix de 64 couleurs tournées vers la modernité. Sept d'entre elles ont la particularité d'être irisées, ce sont les dyna. L'huile Pébéo garde une viscosité constante d'une couleur à l'autre, son séchage rapide permet un travail en surcouche à partir du 4ème jour. Dilution : essences, médiums, ou huile en fonction de l'effet désiré. Nettoyage des outils : essence de pétrole, ou essence de térébenthine. Supports : Toiles, carton, papier toilé, bois... Séchage : Sec au toucher en 3 à 6 jours en application moyenne. Séchage définitif : 6 à 12 mois en fonction de l'épaisseur.
Bullet tip marker (1.2 mm. tip) for porcelain (China). Paint fixed by baking in domestic oven at 150 degrees C (300 degrees F) for 35 minutes. Dishwasher resistant.
Used to create lighter tones without reducing the quality of the colour nor making it more fluid.
Mix the Iridescent Medium to Vitrea 160 colours to create pearlescent colours which glimmer and change when the light hits them.
Opaque and very bright, alkyd oil-based colours (lacquer finish), ideal for decorating ceramics. Can be used on terracotta, wood metal and even canvas. Very good lightfastness. Mixable with each other. Drying: 2 hours to the touch. Completely dry after 10 hours. Drying time may vary depending on the thickness of the application and the temperature and humidity of the room where the product is applied. Thinner: Odourless Mineral Spirit or white spirit can be used. Caring (decorated surface): after drying, the colours are resistant to scratching and washing incold water without soaking. Resistant to window cleaner. The objects decorated with Ceramic colours should not be considered for everyday use or be in contact with food. Ceramic is intended for decorative purposes only.
Opaque, water-based colours, can be mixed together. For brush, stencil, and screen-printing applications. For decoration of thin or thick, light or dark textiles. Stir before using.The colours are resistant to washing at 40 degrees C (104 degrees F) after 5 minutes fixingwith an iron.
Rich and deep shades. They offer a subtle shine which changes with the movement of the light. For brush, stencil, and screen-printing applications. Opaque, water-based colours, can be mixed together. Stir before using. Resistant to washing at 40 degrees C (104 degrees F), after 5 minutes fixing with an iron.
The Vitrea 160 colours combine professional quality and ease of use. After baking at 160°C (325°F) in a domestic oven for 40 min, the depth of the colour is enhanced and the paints are dishwasher safe. Applied on glass and crystal, the transparency of Vitrea 160 colours allows you to take full advantage of the light. However, Vitrea 160 can be applied on other thermostable surfaces which can withstand a temperature of 160°C (325°F). Vitrea 160 are ready to use colours. Either used alone or together, you are completely free to experiment with the effects and techniques of the paints. The glossy or frosted appearance of the colours provides an infinite variety of light and shadow effects. After baking, colours are exceptionally intense and glass seems to be body dyed.